sculpture recycled art mixed media painting public art teaching sculpture garden video bibliography exhibitions chronology about the artist
 


bronze by Lori Kay featured in Cheers to Muses

2007 Cheers to Muses: Contemporary Works by Asian American Women, Asian American Women Artists Association (January 2007), San Francisco.

Hallmark, Kara, Encyclopedia of Asian American Artists, Greenwood Press, (2007), Westport, Connecticut

2004 Hearts in San Francisco, San Francisco General Hospital Foundation, (2004), San Francisco
Bay Area Backroads,"Down in the Dumps", K-RON TV Channel 4.

Bay Area Personalities,"Another Man's Treasures", KTVU TV Channel 2.

2003 Christine Lias,"Artist's Work is Trash, Literally", Los Gatos Daily News, December 26, 2003, p.1, 5.

"Artist Lori Kay awarded art residency at San Francisco dump", Art Business News (December 2003)

1998 Of Our Own Voice, Asian American Women Artists Association.

"P.I. Made In America," Filipino American Artist in the Pacific Northwest, Wing Luke Asian Museum catalog.

"Filipino Art Exhibits", Heritage(Summer 1999)

1997 "Detail", A Journal of Art Criticism, Vol 4, Number 2, 1997 p. 2-3.

"Diversity, Interviews of the Artists", Palo Alto Cable TV, Ch. 6, Feb. 1997.

"JCC Exhibit Tackles Tough Issues," Palo Alto Daily News, Feb. 20, p. 14

Nora Villagran, "Making a Wish Artistically", San Jose Mercury News, June 21, Cover, p. 3-4.

"Women Artists of Color", Video, National Women's Caucus for the Arts, United Nations NGO, Beijing, China.

"Bronze Sculpture Unveiled in Mt. View", Palo Alto Daily News, Jan. 14, p. 13.

   an entry on Lori Kay featured in Encyclopedia of Asian
   American Artists

Lori Kay's heart featured in Hearts in San Francisco

Unzipped | For Lori Kay, gold was the color that came closest to representing truth, beauty and love, the highest attributes that are revealed by the unzipping and undraping of the heart. Gold has a rich history of symbolism in many cultures, religions and art traditions. The artist applied most of the heart's 40 something luminous layers at dawn, while her twin daughters were sleeping.

1995 Tuchman, Laura. "Half Breed or Whole Person", San Jose Mercury News, Dec. 15, Cover, p. 16-19.

Workman, Bill. "Searching for a Whole Identity", San Francisco Chronicle, Dec. 8, p. 1.

"Walk in her Moccasins, Biracial Artist Asks", The Times, Dec. 8.
Rice, Eric. "City Council Tries Art for Park Sake", Half Moon Bay Review, Feb. 15, p. 1, 13

Cheek, Jennifer. "A Wish Fulfilled", Half Moon Bay Review, March.

Curry, John. "HMB Gets its First Public Sculpture", The Times, Mar. 13, p. 1, A3-4.
1994 Ameli, Venus. "Women, Culture and Self-Expression", KMTV (Ch. 6), May-June.
"Casting a Wishbone", 11 PM News, KNTV (Ch. 11), January 20.
Green, Marilyn. "Sculptor Casts Her Wish", Boutique & Villager, Hillsborough-Burlingame, Feb. 2, p. 1 & 2A.
Rothman, Jason. "Art Beat-Brains and Bronze", Metro, Jan. 27, p. 29.
"Retrospective Sculpture Exhibit at Ledbetter Focuses on Female Form", The Carmel Pine Cone, Feb. 10, p. 32.
"Internationally Recognized Sculptor Inspired by a YFU Past", YFU World, Spring, Vol. 3, No. 1, p. 6.
1992 Blair, Erin. "Student Union Displays Asian Art: Art Represents Identity and Talent", The Golden Gater, Sept. 10, p. 12.
Worthington, Robin. "In the Doghouse ?", San Jose Mercury News, June 9, p. 1B and June 10, p. 4B.
"Public Art Controversy", KGO (Ch. 7) & KNTV (Ch. 11), June 9.
1991 "Art Avenue", The Peninsula Times Tribune, Aug. 23, p. B4.
1990 "Casting of a 3,000 Pound Buddhist Temple Bell", KNTV (Ch. 11), January 1.
1989 Graham, Jerry. Bay Area Backroads, KRON (Ch. 4), November.
Jenson, Jan. "Free Form", San Jose Magazine, March, p. 33.
1987 Rebechi, Giuliano."L'arte al Femminile," "Il Terreno, March 4, p. 18
"Con una Grossa Mostra...", Nazione, March 7, p.

    Of Our Own Voice,

. P r e s s . C l i p s .


Encaustic Paintings from the Half-Breed exhibit

HALF-BREED: AN ARTIST PONDERS RACIAL OBESSIONS AND MIXED-RACE IDENTITIES HALF-BREED OR WHOLE PERSON?
LAURA J. TUCHMAN, Mercury News Staff Writer

... ''Half-breed: In Search of a Whole Identity,'' a mixed-media art exhibit inspired by her own biracial heritage. In the exhibit, which fills Belmont's Manor House Gallery, one wall holds a grid of nine boxlike reliefs made of encaustic, a mix of wax and oil pigments. Each box features some element from nature (a nautilus shell, a maple seed, the outline of a shore), and below each box, on black-and-white placards, hangs a racial or ethnic label. The boxes represent those found on employment applications and other standardized forms. But here the ''labels'' rest on hooks; viewers can move them from box to box as they please. ''The words don't have anything to do with the boxes,'' Kay says. more...


Broken Wishbone

MAKING A WISH ARTISTICALLY
SCULPTOR CREATES AN IMAGE OF NOSTALGIA WITH SIMPLE WISHBONE

NORA VILLAGRAN, Mercury News Staff Writer

... the award-winning artist spoke recently about her work, her life and the sculpture she spent a year making.''The wishbone is nostalgic of my childhood. I have fond memories of breaking wishbones in my family. It's a symbol of Americana to me. It's also about the duality of life: Sometimes our wishes come true. Sometimes they don't.''To become an artist and to be able to make a living as an artist is a wish that has come true for Kay, through her own perseverance and talent.''My parents, who were warm and loving people, taught me to march to the beat of my own drummer,'' more...


Artist, Lori Kay, welding a sculpture

IN THE DOGHOUSE? CRITICISM DOGS FIREHOUSE SCULPTURE
ROBIN WORTHINGTON, Mercury News Staff Writer

Sculptor Lori Kay affectionately calls her cast bronze dog Fido. Critics of the piece call it road kill. The jagged-edge sculpture of a dog with a front paw on a fire ladder has set off a small blaze of controversy since it was installed a few weeks ago on the front lawn at Fremont Fire Station No. 5 in Warm Springs. more...

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